Shoot Nine - Overall Essay

Shoot Nine:

In this shoot I wanted to further explore the technique of macro photography in order to further explore my theme of nature. This shoot links to my previous shoot numbers four and eight, whereby I also explored macro photography using organic objects. All of these macro shoots (four/ five/ nine) are inspired and influenced by Nadege Meriau's work, whereby organic objects are used to create abstract environments. I used the college's macro camera and shot this shoot in the studio, as this allowed me to control the lighting which would be focused on the squash. I chose to photograph a squash as the stringy innards of this objects would add texture to my images, moreover a squash was easy to cut in to for me to then create a cave-like structure. I used a tripod, a snoot, reflector dish, a black backdrop, a camera and the squash itself to conduct my shoot; furthermore a light meter was used in order to set the camera settings on my camera. 

This shoot was heavily influenced by Nadege Meriau's photographs of a pumpkin, as she used the innards of this to her advantage, and created a new environment using just one pumpkin. 

Shoot Three- Image Bank

This photograph is interesting as it's a shaped cloud, whereas the others below are of more 'natural' looking clouds. This image appears innocent, due to the bright blues and pure whites in this photograph; the pure whites suggest purity and innocence, whereas the blue gives the image a playful aspect. This image may be edited in order to achieve the interesting shape of the elephant, this may be something I could explore in my images. The angle which this image is photographed appears to be from the sky, as it's a side on angle of the shaped elephant. 

The clouds in this image appear angry, almost as though they're 'bubbling' up with anger due to their flourishing shape. The deep blues in this image are the majority, compared to the white colours, this implies that there's more anger involved here than calmness. Again, likewise to the previous image above this image appears to have been taken adjacent to the cloud in the air, not from the ground. 

Confusion is portrayed in this photograph, as there's a mixture of greys and whites all in one. The little breaks between each of the clouds may suggest there's hope; however the vast majority of this image is the darker clouds. This photograph appears to have been shot from the ground, therefore the photographer would have been looking up at the clouds pattern, this gives us a different perspective on the clouds and creates inferences in the viewers mind that it may rain, or storm soon; this in itself implies anger and frustration as the rain could be interpreted as tears and the thundering as shouting.

This image is photographed from the ground, looking up at the sky, the use of this angle suggests the sky is dominant and reigns over us as it's above us all. The clouds are not as crisp and easy to view in comparison to others in the other photographs within this image bank, the clouds merge together, this may again suggest confusion as they're not quite sure whether they're individuals, or groups; this is symbolic of everyday life when individuals do not know their identity, or whom they are yet so they stick in a group for support. 

This photograph is very bright- the pure white colouring in this image suggests almost a child-like innocence, complying with the bright blue sky which again symbolises this, as children often learn basic colours initially (e.g. blues, whites, reds, greens) before developing and expanding this (e.g. turquoise, violet), this could also be symbolic of their emotional state as children develop more emotionally as they grow; likewise the sky will develop more throughout the course of the day. The big gap with no clouds in the top left-hand corner creates questions in the viewers head, it's obvious this occurred naturally but the question is why would the photographer intend to leave this in his frame? 

This image obtains more muted colours, like greys and clouded whites, the sun rays are seen coming across the image in a linear fashion from the left to right, the colouring and the position of the sun in this image imply that this photograph may have been shot early morning. The angle of this image suggests this was photographed from above, as the photographer is looking down on the clouds, this may suggest that the photographer wanted control over the clouds, so he went above them, almost to suppress them. The grey tones within this image shows form and tone, as this creates shadows, which again shows the viewer which direction the sun is. 

Shoot Three - Overall Essay

Shoot Three:

In this shoot I wanted to explore the pattern and movement of clouds, as clouds are a simple form of nature, and many people don't admire and appreciate their beauty and simplicity enough. 

I was inspired by Steiglitz's images of clouds in this shoot as he influenced me to look at clouds abstractly and also to edit my images into black and white, in order to create a more sinister view of the otherwise considered 'innocent' objects. 

I shot my images outside, there was not a specific locations where my images were shot, as I photographed them over several days whenever I saw an interesting cloud pattern/shape when I had my camera with me. I shot my images from below the clouds, as I obviously didn't have the resources to be high up within the clouds themselves. 

In my next shoot (shoot 4) I will be exploring organic objects, and how they can be made ambiguous and how they can be transformed into something else when shot with a macro camera, this shoot is inspired by Nadege Meriau.

Shoot Eight - Overall Essay

Shoot Eight:

This shoot was progression from my previous shoot number 4 where I explored Nadege Meriau's work in the studio, by using a macro camera to be close to the object in order to enhance the ambiguity I wanted to create. In this shoot I again used a macro camera, whilst exploring low key lighting and being 'inside' the object, not shooting from the outside like my previous shoot number 4. I also kept my images in colour for this shoot, whilst editing them in photoshop using vignettes, and the dodge/burn tool to enhance the coloured contrast within my images; I believe I progressed by keeping my images in colour as this adds to the detail of the image as a whole. 

Nadege Meriau was the inspiration for my shoot, as she creates various environments/objects using organic objects. Nadege's images are always in colour which adds to the effect of the image, by enhancing the 'hellish'/'dark' scenes that she creates. Cave-like structures are also explored by Meriau in her images through the use of depth, and shadowing, this was my main aim to explore in my shoot, using th object of a pepper. 

I photographed all of my images inside the studio using studio lights, a light meter, a snoot, a macro camera, three different coloured peppers, a box, a dark cloth, and a tripod. The snoot allowed me to direct the light in my images, and helped me create my low key lighting effect. The tripod allowed me to reduce any shake in my images, as I was extremely close in to the object, therefore any shaking would of had a huge effect on my overall image. 

For my next shoot (shoot nine) I will be photographing a seasonal squash in the studio, in order to explore macro photography further, with the influence of Nadege Meriau still prominent in my work. 

Shoot Seven - Image Bank

The sun in the background of this image creates a connotation as though it may be coming from a God-like figure, as the beam of light is extremely powerful and travels far, suggesting it's supernatural; furthermore the clouds surround this beam of light, as though they're an army surrounding its commander. The beams of light are evident to the viewer, as they pierce the blue skyline, this too suggests they have power and significance due to their vast spread.

The deep purples and pinks explored in this image create and extremely relaxed atmosphere within the viewer, as purple is linked to calmness; this corresponds with the state of the sea, which is also calm and tranquil, implying that nature is calm when it's left alone, with no one interfering with this. The fact that nature is calm with no humans present suggests that if humans leave nature to be then it could thrive, this also raises the question that we need nature (water, light...) to survive, but it does not need our aid in order to survive.

The dark silhouette of the foreground in this image creates ambiguity, and a loss of identity within this photograph; this symbolises that due to issues like deforestation nature has lost its identity, and its voice, implying its always pushed aside. The purples, blues, oranges and yellows all combine within the sky to create a sunset along the skyline, this allows the viewer to infer that it's becoming late at night. 

The dark blues in this image create a cold and uneasy atmosphere, moreover the clouds appear as though they're surrounding the single house, which lays central in the image- this then arises the question as to why this is occurring? Again, the silhouette of the house creates ambiguity as the viewer doesn't know what the house looks like, or who inhabits this house which is in the middle of nowhere? 

This image is a time-lapse created of many sunsets together, this is why the blurred and jagged effect is created within the sky. The yellow to blue colouring of the sky works effectively as they're complimentary colours of one another, therefore they flow into one another and create continuity within the image as a whole. 

Shoot Six - Image Bank

This city that's captured within this photograph is both grand and vast, this is shown through the fact that even the tops of the buildings nearly touch the clouds, implying there's a godly atmosphere within this image. The light which is shining through the clouds only shines on part of the city, this could be significant as it may suggest this is the superior section of the city, this could link to wealth, suggesting that the area of the city which is in light is wealthy; whereas the darker areas may be the more run down sections; the lighten helps to reflect this as the poor are ignored (in the dark.)

The fog within this photograph creates a mystery as to what is hiding in the depths of this fog, moreover the trees are spread apart very vastly which again creates questions within the viewer as to what may be lurking in the hills. The black and white colouring of the image aids the creation of mystery as the viewer cannot see any colouring, which suggests there's a hidden identity of where and why this photograph was taken. 

I would like to recreate an image similar to this, however I would have to wait particularly for fog to be around. 

The tree which is standing alone in this photograph makes questions surface in the viewer's mind, as to why there is only one tree when usually there would be numerous trees; this may symbolise how nature is singled out and isolated due to issues such as deforestation, therefore by the tree being alone this represents the consequences of our actions. 

The vast tonal range in this image captures the attention of the viewer by attracting them to the various dark tones which make up the whole image effectively, this editing would have been done in photoshop, I would also like to experiment with tonal ranges in my images in order to create and enhance my image further. 

The reflection of the moutons in the lake almost represents a mirror, implying that 'nature' is happy with its own reflection, therefore questioning whether humanity is happy with its own reflection? 

The leading line of the pathway in this image takes the viewes eyes on a journey from the foreground of the rubble, to the pointy mountains in the background of this photograph; along this pathway a man is seen to be walking, this raises questions as to why he is there, and what he may be doing? Again, a tonal range is explored within this image which overall makes the image seem more '3D' and not flat. 

Shoot Five - Image Bank

The black and white colouring of this image creates ambiguity and mystery within this photograph, the bleak stare of the girl makes the viewer weary and on edge. In addition the fact that the girl seems to be 'made up' of twigs suggests that she may be lost, as the woods are considered a lonely and bleak place- therefore the fact this girl is the woods suggests she may be lonely or lost. 

The texture in this image makes the overall image more interesting and intriguing to the viewer, as the levels of the trees seem to correlate with the depth on the mans face. The greens and browns combine together well within the photograph as they seem to blend into one another, implying there's continuity in this image; likewise to how the man feels continuity with nature. 

The fact that you cannot see the woman's face may suggest there's a lack of identity surrounding the woman, as people's eyes and faces tell a lot about a person. The flowers which make up the woman suggest she is gentle and kind, as flowers are delicate objects. 

The pink colouring in this image is interesting as it creates a relaxed atmosphere; moreover you cannot see any details of the individual's face, which implies they may not want to be seen as they're hiding behind the beauty of nature; moreover this may imply that she has insecurities and therefore prefers to hide herself away behind other's beauty. 

Shoot Four - Image Bank

The apple in this image appears to be fading, due to the lighting used to shoot this photograph- it appears as though the amount of water droplets determine whether the image is seen, or not. Although this image isn't ambiguous, as it's evident this image is an apple  it is slightly abstract as you cannot see the whole object. The black back ground creates mystery as you cannot see anything apart from the slight bit of apple. 

This image is of a butterfly's wing, the wing appears to be hairy slightly, which adds texture to the image as a whole. The light blue pops out of the image in comparison to the jet black  colouring- which grabs the viewers attention. When I initially looked at this image, I didn't know what it was of, I only discovered it was of a buttery's wing when researching this image; this is what I want to create in my images- ambiguity. 

The bubbles of juice in this image of an orange add vast amounts of texture to the photograph, moreover the light can be seen to reflect in them, which gives an indication as to which direction the light is coming from. The skin of this orange would appear extremely ambiguous if this image was converted into black and white, however due to the colouring it's evident what the photograph is of. Although the viewer knows the object thats been photographed, this doesn't take away the fact that this image is still gruesome as the stringy parts of the orange are like veins, with the bumps being the recipients. 

This image of a pepper is cave-like, as there's depth within the image making your eyes travel into the background (to the back of the pepper.) I would like my images to be more abstract that this image, as I want people to guess what they're looking at I will most likely do this by taking away the colour from my images, and convert them into black and white. The angle which this image is photographed intrigues me, as it's evident this image is taken from below, looking up into the pepper. The photographer may have chosen to shoot at this angle in order to capture all the detail on the roof of the pepper. 

This image of a kiwi focuses on the patterns in which the seeds arrange themselves. The black seeds are scattered in linear structures around the centre of the fruit. The lighting would have been projected behind the fruit, as the light appears to be beaming through the white sections of the kiwi. 

This image of a pumpkin is in black and white which makes this image more ambiguous, the highly detailed cracks on the surface of the pumpkin create texture within the image, combining with the formal element of line, as theres vertical and jagged lines which take the viewers eyes on a journey. The cracks on the pumpkin look like someone has drawn all over it in pencil. 

Shoot One - Image Bank

The deep red contrasts the green grass in the background, allowing the flower to pop out of the image. A narrow depth of field is explored within this image, as the grass in the background is blurred; in contrast with the grass in the foreground which is in focus, with water droplets on the blades of grass. The pattern that the flower holds makes the image appear organised to the viewer. The fact that the flower is alone creates questions in the viewers mind as to why this is?

This image symbolises foreign nature, as you do not see palm trees in England; the two trees bend slightly to the left, this may symbolise they're under slight pressure- due to factors such as pollution however they're still fighting back, and standing tall. The orange, and blue sky in the background looks appearing as the two colours are complementary colours. The ripples in the sea add texture to the overall image. The fact you can only see the silhouette of the trees creates a reasonable amount of mystery, as you cannot see the detail/colours of the tree. 

This image is of an organic object which you wouldn't see in Britain, the green triangular plants are unique and this is what makes the image of interest. In addition, on the plant there are linear patterns, which again add detail and interest to the image. There's a lot of this plant in the frame of the image, implying that this vegetation thrives here, and is not in any way under threat. 

This image is of the bark of a palm tree, which demonstrates extreme texture, and how this can greatly enhance an image. The criss-cross pattern of the bark, combined with the cracked exterior of the bark adds detail to the image. The brown, and white tones in this image create an image of a coconut, due to the similar colouring on both objects. 

The deep, and light pinks within this image give off the atmosphere of love and compassion. A narrow depth of field helps the viewer to focus on the flower in the image, and not the background. This image appears as though it's an enchanted garden, due to the darker colours within the image contrasting the droplets of pink. This image overall is extremely aesthetically pleasing, due to the image being of a positive object (flowers), combined with the use of positive colours (pinks.)

The deep blues in this image almost look metallic, they also emit a cold vibe due to their colouring, contrasting the few splashes of reds which break up the coldness of the image, with warmth. Pattern is key in this image, showing that nature can be organised/productive. This photograph creates questions in the viewers head like: where are these plants? and why are they there? 

Mid-Project Evaluation

The shoots that I believe were most successful where shoot numbers 4, 6 and 7. 

In shoot number 4 I took inspiration from Nadege Meriau and shot images of a pepper in the studio, using a macro camera. I believe this shoot was a success as in my images the viewer cannot tell what the object is I am photographing. I enjoyed constructing and framing this shoot, as I usually do not work in the studio, however I thoroughly enjoyed setting up the lighting and experimenting with this. 

Shoot number 6 was inspired heavily from the photographer, and environmentalist Ansel Adams; I took inspiration from Adam's black and white landscape images of America, and photographed British landscapes- in order to portray their beauty and campaign for its preservation through controlling pollution, and global warming. In Adam's images he uses the dodge and burn tool to highlight and exaggerate the contrast within his images. 

Shoot number 7 was inspired by Steiglitz's cloud studies. I took interest in Steiglitz's work as he explores the patterns, and movement of clouds within his still images; I explored this concept in my shoot 7. Unlike Steiglitz I had colour within my images; the colours were a huge aspect of my photographs as I believe they reflect the feelings of the sky, Steiglitz couldn't do this when he was photographing his work as he only had access to black and white cameras. 

My overall idea has changed within this project, going forward my shoots will be focused more on landscapes, and macro photography influenced by Ansel Adams, and Nadege Meriau. I believe that by focusing more on two sub-headings of 'nature' it will allow me to make my shoots more concise, and focused, whereas otherwise I wouldn't have a clear aim. In addition, I enjoy shooting these images, as I can experiment with different frames and focal lengths. The two concepts of landscapes, and macro photography work together as landscape images are usually wide frames and far away images, contrasting macro photography which involves being close to the object- I feel this will give me a deeper insight into the concept of 'nature', by exploring organic objects/environments close-up and far away from a distance. Initially, my idea was to use documentary photography to capture/explore the theme of 'nature', however this has developed into the two sub-headings of macro, and landscape photography, my initial idea was to broad, whereas now I feel I have honed in on my aims for my project. 

I believe that my work needs to be improved most by expanding the meanings behind my images, and developing this accordingly. For example my shoot number one is quite weak, as there is not a deep meaning, or analysis behind the images; in comparison to my shoot number four which explores organic objects using a macro lens, creating abstract and surreal images. I would also like to develop my studio knowledge, and enhance my knowledge of the different lights within the studio, and how I can use these to improve my work. Moreover, I will also experiment more on the computer using photoshop and using physical experiments within my work, to explore how I can adapt my images further. 

For future shoots I will explore macro photography in the studio in the style of Nadege Meriau, this will involve me creating a scene (e.g. a cave) using other organic objects. I would like to use a watermelon (or a similar fruit), likewise to Meriau and shoot inside the object, by creating a hole and shooting inside, not from the outside. 
I will also travel around my local area and shoot images of various lush British landscapes, in order to champion it's preservation. I will shoot in various locations including Epping Forest and the river lea; these areas are full of organic objects, and nature therefore I will aim to show its beauty through my images, which will then hopefully encourage people to think about pollution and deforestation. 

Project Image Bank

This image is photographed of a plant, however due to the lighting in this image and how it's framed the plant appears to be a building. The jagged pattern on the plant is only slightly seen, as the rest of the plant is in darkness, this may suggest that the plant is attempting to hide, possibly from a predator, or this could also be suggesting that the plant is trying to hide its true identity- like many humans may do. The masculinity in this image is demanding, due to the lines being crisp and bold and catching the viewers attention. 

This image is significant as it symbolises pollution in the form of rubbish, and how this affects everyday activities, or how we may ignore this effecting our lives. Despite there being lots of rubbish in the sea (which could potentially harm the surfer) he still continues to surf in all of the rubbish, showing how we may chose to ignore the effect pollution is having on our lives. The colouring of the rubbish contrasts directly with the lighter blue of the sea, allowing the darker coloured rubbish to stand out, and be noticed more by the viewer.

The viewer cannot see who the individuals are behind the rainy window, creating a sense of curiosity/ ambiguity as to who these individuals may be, it's not even evident if the individuals are male or female. The rain on the window is a barrier between the photographer, and the individuals, this may suggest that the photographer feels distant to society; this idea corresponds with the fact that you cannot see who the individuals are, implying the photographer doesn't even recognise society anymore. 

This image is a photograph of mushrooms, they appear to be strategically placed in an almost floral pattern, with the curved edge of each mushroom appearing to be a petal-like shape. The lines on the mushrooms create texture and detail within the image, as the shadowing that's created adds depth to the image, allowing the viewer to see how some mushrooms are placed behind others. The black background may show how nature is slowly becoming segregated, due to issues such as pollution and deforestation. 

This is a photograph of lightbulbs hanging by string, a narrow depth of field is explored in this photograph as the background is blurred, contrasting the foreground which is in focus, allowing the viewer to easily see all the details of the raindrops on the bulbs. I believe that the light bulbs being off is significant as it links to the theme of death- this theme of death is also explored by the raindrops being on the lightbulbs, as we are frequently told how electricity and water do not mix well, however in this picture they're combined. Moreover I believe that the lightbulbs hanging by string represents humans, implying that humans are controlled by electricity and this determines our lives. 

This photograph is of a dead bird, who's body parts have been strategically placed by the photographer in order to make it appear as though the bird is made up of the 'rubbish' that we throw on the ground. The fact that the bird appears to have a variety of rubbish in his stomach implies to the viewer that the bird has eaten this, showing how when we throw rubbish on the floor this really does affect the environment and the animals around us. 

The linear effect in this image draws the viewers eyes into the image, carrying them to the background whereby the peaks of the mountains can be seen. The tonal differences between the whites and greys highlights the tone, texture and shadowing within the image. The black and white effect used within this photograph draws the viewers attention only to the structural shapes within the image, not allowing us to focus on bright colours in the image with may detract attention away from the meaning behind this photograph, which is to preserve nature. 

The bright, eye-catching colouring in this image immediately draws the viewers eyes to the photograph. The red contrasts the yellow colour at the centre of the flower; whereby the photographer has strategically placed this, in order to satisfy the rule of thirds, were by the main focus of the image is central. Moreover, the curved lines in the centre of this image take the viewers eyes on a journey, which contrasts the more straight lines which make up the petals on the flower; these straight lines symbolise power, which is not a trait usually associated with flowers although in this image the bright red colour corresponds with this as it's extremely bold, again symbolising power. 

This photograph is taken by Nadege Meriau, this image is a hellish scene created using organic objects. The dark lighting within this image creates a mystery as you cannot see what is lurking in the background; due to the hellish connotations associated with the aesthetics of this image the viewer will make the assumption that if anything is hidden it will not be pleasant. The light that is coming in from the ceiling onto the object symbolises hope, which contrasts the idea of 'hell' which is linked with this image. Moreover, the fact that Nadege has placed this light high up could suggest this is a god-like light as it's coming from the sky, also this light could be associated with heavenly connotations. 

This image of water drops on a tiny bug is extremely interesting, as due to us humans being significantly bigger than the insect the raindrops seem like nothing to us; however, the raindrops in this photograph cover the whole back of the insect, and only a few rain drops are needed to do this, highlighting the sheer size difference in us and them. A narrow depth of field is shown in this image as the insect is in focus, whereas the background is completely blurred; this allows the viewer to focus solely on the bug, and the detailing there.

This photograph is shot by Edward Weston, the denotation of this photograph is that it's an image of a shell; however, the connotation is much deeper as shells are often considered feminine, but in this photograph a masculine presence is elicited due to the black and white colouring, and how the lighting is positioned within this image. The curves of the shell carry the viewers eyes onto a journey around the different areas of the shell, these curves represent muscular curves that you may find on a man's arm, this again symbolises a contrasting masculinity. 

This image is a macro photograph of a leaf with water droplets on it. The leafs surface is smooth, simultaneously with the surface of the water droplets. By the photographer using a macro lens it allows us to see this scene in a way which we are not used to in every-day life, this makes the overall image interesting to the viewer. The angle which this photograph is taken makes the viewer feel as though they are looking down the length of the leaf, this also acts as a leading line taking your eyes on a continuous journey. I would like to photograph a picture similar to this within my shoot, in order to explore leading lines and different angles in my shoots. 

This image allows us to see the cat in a closer way than we would have ever been able to before, the cats glass-like eyes are really emphasised in this image as their curved surface is imminent, allowing the viewer to be able to slightly see the reflection in the cat's eyes. the detailing in the whiskers coming off the cats face enhances the image as a whole, and although they're not fully in shot it's still evident how long they are. Moreover, the fact that the cat is placed looking up to the ceiling may suggest that this animal is looking for help, as looking to the sky is often considered spiritual, or holy. 

This macro image of an insect allows us to see the detailing on its eyes, with millions of little dots clear to the naked human eye, which would otherwise not be visible to us. The insect is placed in the centre of the image, looking head-on to the camera, this creates the feeling that the viewer is looking eye-to-eye with the animal; the fact that the photographer has placed the bug like this symbolises that we're looking at it on a personal level, as the viewer is forced to look into its eyes. 

The red tulips in this image stand out from the blurred background due to their popping red colour, and the fact they're in focus. A narrow depth of field in this image forces this viewer to look at the tulips, and not anything else in the background; this may have been done by the photographer to symbolise how humanity needs to look after and care for nature, otherwise it will all be come blurry like the other natural objects in the background of this image.

This photograph is taken by Edward Weston, this image is of a cabbage leaf, shot in a studio. The cabbage leaf is ambiguous as it's not clear initially what object is photographed in this image, this is effective as it makes the viewer think about the image, and ask questions. The folds in the leaf of the cabbage creates shadowing which adds texture and detail to the image. The cabbage leaf looks limp, like it has given up on life, this could be representative of the photographs feelings at the time when taking this photograph. 

The pastel blues and violets in this image create a soft tone throughout this photograph; this soft tone implies that nature means no harm to humanity, despite humanity destroying it needlessly on a continuous basis. The flower is placed in the centre of the image, satisfying the rule of thirds, which grabs the viewers immediate attention, drawing their view into the image. The background is blurred in this image therefore a narrow depth of field is explored, due to the foreground being in focus and the background not. 

This image is a stereotypically a 'nature' photograph as it shows an innocent animal (butterfly), and a beautiful flower; this corresponds with the soft blues shown in the image which again signify beauty and calmness. The light blue links to the connotation of an ocean, which is calm and still, unlike a dark blue ocean which would link to connotations of an angry and aggressive sea. The background is clear in the image, making the viewer focus on the two objects in the image, and not anything else in the background. 

This photograph is taken by Edward Burtynsky of a river; this river has sub-rivers branching off it, which when looked at from a high point (likewise to this image) make it appear tree-like, as it looks like there's numerous branched in this image. The pale, dusty looking floor around the river suggests dehydration, contrasting the lush green water in the river. The photographer may have contrasted the lush water with dry surroundings in order to highlight the issues in today's society, whereby humanity loves to appreciate nature, but ignores the harm that can be done to it through factors like deforestation, pollution, and hunting. 

This image carries your eyes on a journey through the use of a leading line, taking your eyes to the back of the image whereby mysterious fog lies. The fog in this image creates a mystery in the viewers mind, meanwhile creating questions as to why the fog is there? Fog often symbolises dark connotations, and is often associated with places like grave yards; subsequently, the viewer will feel as though this place is negative and creepy due to these associations. The dark colours that are displayed within this image again link to negative connotations in the viewers mind, as fun and happy environments often have bright eye-catching colours, unlike this area. 

This image is aesthetically appealing as the autumnal colours work effectively together, creating a warm feeling in the audience. The raindrops on the leaf emit a smooth texture, contrasting the rougher appearance of the rocks behind this. Only three points of the leaf are seen in this image, despite this the viewer can still understand that the leaf is a lot bigger and continues on after this image; implying that nature is bigger than the photograph itself. The raindrops on the leaf are organised, likewise to the stones in the background of the image, implying that nature is organised and has its own system- common to our society , representing how humans and nature are both similar to one another.

The curving line in this image shows how nature can create its own beautiful natural patterns; the scatter of raindrops also appears like glitter within the leaf, showing that it is important- as we often associate glitter with celebration and importance. The angle which this image is taken makes the viewer feel as though they're looking down a tunnel, as there's a leading line carrying the eyes to the centre of the photograph where the curve ends. Moreover, the lines that are twisted on the leafs surface again create a leading line, taking your eyes into a journey through the tunnel of the leaf. The tunnel may imply that this leaf itself is going on a journey, as tunnels are associated with long car journeys on the roads. 

The reflection which is shown in the lake is identical to the real image above it, implying that the trees are happy with what they see in their reflection; this may be questioning how when humanity looks at itself in the mirror, can it be pleased with its reflection? The autumnal colours within this photograph are effective as they all work well together and create continuity within this photograph. The image almost appears as though it is a piece of artwork, and not a photograph this is significant as this may be applying that this environment is 'almost too perfect to be real', due to the surreal tones within this photograph. 

The lines in this image are extremely bold and striking, they also act as a leading line taking the viewers eyes to the background of the image, which is in line with the bridge itself. The outline of the city in the background allows the viewer to understand that this is a built up, and heavily populated town, hence the reason that the bridge needs to be in place. The two shapes on the brigade are again striking and bold, due to their huge size. The sun set can also be seen trough some clouds in the distance, this gives the sky its orange tone implying warmth into the audience, despite the bridge being in darkness.

This image looks as though it's been taken from a film, due to the harsh colouring within the image; the dark colours in this image create negative links in the viewers mind, combining with the orange sky in the background which appears like the town below is on fire. The angle which this image is taken is extremely unique, as it's an image from a plane in the sky, looking down the leading line of the wing of the plane. The lake in the centre of the frame breaks up the image as a whole, this is symbolic of nature as the rest of the photograph is built-up man-made buildings.

This photograph is extremely powerful and symbolic. The brick wall with the word 'this' written on it implies the photographer is frustrated with the wall, which symbolises man-made structures. Furthermore, the fact that the word 'this' is written in capitals gives the word an angry connotation, which again links to the frustration felt within this image about pollution and destruction of nature. 

This image is photographed by Ansel Adams, this image symbolises nature as Adam's was  an environmentalist who photographed American landscapes in order to champion its preservation, and protection from issues such as pollution. The twist of tree takes the viewers eye on a journey up to the top of the tree, due to this being in the foreground this is the first object which grabs the viewers attention. the black and white colouring of this image portrays seriousness, linking with the clouds in this image which appear angry and as though a storm is brewing. The landscape is only made up of natural objects, this implies that this environment may be Adam's ideal world.

This leaf appears to have a crispy texture, almost as though it is decaying; furthermore, the black and white colouring within this image links to the decaying and death of the leaf as this associates to negative connotations, meanwhile highlighting the tones and shadowing on the leaf. The leaf is central in the image, meaning that it's the first thing the viewer will notice, also linking to the bare background of this photograph, which again focuses the viewers attention onto the leaf itself.  

The bright green colouring of this leaf suggests that it's healthy, combined with the visible veins on the leaf's surface which imply that it has a sufficient supply of oxygen carried to it. These lines that are on the leaf are jagged, not smooth which implies that the leaf may be frustrated or angry; as the jagged lines on the leaf almost look like veins on someones head that come to the surface when they're angry. This is a macro shot of the leaf, as it's extremely close-up allowing the audience to see this surface in a way which they would not have prior to this image. 

The sky in this image is a deep blue, this holds the connotation of linking this to the sea and the deep blue colour which this holds, the sky appears to be calm likewise to a calm ocean. The clouds are extremely bold and powerful in this image as they surge from the right-hand side; the clouds almost appear God-like as most individual's look to the sky for hope, or holy reasoning therefore this links these clouds to God in the audience's minds. The clouds take up the majority of the frame, which again suggests they're unanswerable to anything else, and they own the skyline.